87: ‘Sucker for Pain’ by Lil Wayne, Wiz Khalifa & Imagine Dragons w/ Logic & Ty Dolla $ign ft X Ambassadors

Our three main characters are all working towards something at the moment.

Sara teaches young girls to dance. More than that She teaches young girls to be confident. She takes the pain from her own life and uses it to help them. She makes this so much part of her identity she has tattoos dedicated to it. She has a bit of an attitude. This resonates with young girls who also have the world against them and they gravitate towards her classes, even if they aren’t dedicated to dancing. But she won’t allow them to put in less effort in it because of that. But it does make her very aware of her responsibility, and she continually pressures herself to live up to it.

Will loves partying, but he is also a pre-med. And at the moment he is dedicating more time to that responsibility. He’s going to be a doctor with people’s lives in his hands and he wants to be ready for it. It’s hard and brings a lot of sleepless nights much less enjoyable than the ones he spends partying or with his on-off girlfriend, but it’s worth it.

Fergie is focused too, but her goal is not as noble. She is trying to get to get a woman to leave her husband for her.It is not going well and that hurts. But no way she’s letting the husband (or anyone else for that matter) know that. She keeps up the act that she’s going to steal her from him, even if it is nowhere near true. and unfortunately, she can’t party her way out of this one.

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83: ‘Girls like girls’ by Hayley Kiyoko

Fergie makes a friend while partying with Will. A little more than a friend, actually. Trouble is, she is married. Luckily, her husband is often away, so they have a chance to grow close. While Fergie likes men too, right now she doesn’t feel like being with one. She just wants to be with this woman.

But then the husband starts being home more and notices how much the two women go out together and that they sometimes kiss.

He confronts Fergie, and she has no problem admitting that she intends to steal his wife from him. So he best watch out.

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74: ‘God is a DJ’ by P!nk

A woman is crawling out of bed. She has just kicked out her lover, telling him to go home to his wife. She looks at herself in the mirror and reflects on who she has become. So ready to believe empty promises and give up everything.

She has to turn a new leaf. Or rather an old leave. She decides to become, who she once was; an outcast, who treated life as a party, spoke her mind, was at ease with her lot in life and didn’t care what people thought.

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73: ‘Stay’ by Sugarland

A couple lays in bed. All seems well, but small signs show that they are not. The man seems content, but the woman keeps looking from looking lovingly at her lover, absent-mindedly looking at the wall and pain filled glancing at the clock.

The problem is not the situation as it is. The problem is the fact it will end as soon as his wife calls. The woman is silently praying she won’t.

She knows that when that happens she’ll be begging him not to leave. And she’ll be left alone and crying. This has happened so many times now. She feels like she is dying.

She doesn’t want to do that again. So she wonders what she can do to make him realise that she can give him everything his wife can – and more.

So this time she begins the begging before the call: “Why don’t you stay? I’m down on my knees. I’m so tired of being lonely. Don’t I give you what you need? When she calls you to go. There is one thing you should know. We don’t have to live this way. Baby, why don’t you stay?”

He tries to go into the usual spiel about planning to leave his wife. But she is starting to doubt him and feels used. She is tired of living like this when they don’t have to.

He is deaf to her pleas. And she has had enough. She realises that if this is hurting her so much, she doesn’t have to live this way. So she lets him know that he shouldn’t come by anymore.

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