112: ‘Me Too’ by Meghan Trainor

Fergie has led a double-life, but now the secret is out.

Luckily, it only elevates her fame. From being a bit of an outlier, she becomes a celebrity. Everyone wants to be her. And finally, she is happy with herself. She thanks God every day that she can wake up loving herself.

Fame brings admiration, VIP rooms with her friends and free drinks.

She is accepted and happy. She longer needs Will‘s friendship or Evanescence‘s love.

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Another year has gone by, Another story over, a new one can begin.

To newcomers: I start out every year with a fresh start. A new story with a new focus. It’s in the same universe and has connections to the previous ones, but it’s easier to understand because the back story is limited to the bare necessities. Will I reuse the same characters? Will it be completely new? We’ll see.

Merry Christmas, happy new year and any other holiday taking place in the immediate future or recent past.

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105: ‘Live Forever’ by The Band Perry

Will and Taylor are having a baby. This makes Taylor reflect one night.

She has dodged commitment for years, created warlike fights, so she wouldn’t get hurt and fought stability off as if she was a ship unwilling to reach shore.

Now she is ready for commitment. Will will be her only one. This time she wants it all, live forever with him, really let herself fall.

Her love for Will is like a storm inside, an electrified force, a thunder in her heart.

She also thinks about the uncertainty of this prospect. Forever is a long time. This could be a dream, but there are also so many ways, this could end.

But it’s fine. If they stay young and crazy, everything will be fine.

She tells this to Will the following evening.

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99: ‘She Hates Me’ by Puddle of Mudd

Mudd meets a woman and falls in love. For about a week and a half, everything is grand.

Then he slowly remembers that he has met her before. In fact, he has dated her before. And he has broken her heart before. And she hates him for it. This is her revenge.

She doesn’t come out of the experience scot-free either, though…

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98: ‘Tin Man’ by Miranda Lambert

Fergie went to Evanescence, her ex, without defences and surfaces. She did this to show that she could be real with her now, that she truly loved her. Unfortunately, it was too late. Evanescence had felt lied to and Fergie couldn’t say anything to change that.

Fergie already feels vulnerable when she has her defences up. So a rejection given to her while she’s completely open breaks her heart into pieces. It hurts so badly that she wishes she didn’t have a heart at all. She thinks about the story of the tin man who searched for a heart his whole life but never found one. She compares it to the way she faked her way through life. And she thinks that if he had known how much a broken heart feels he would never want one.

And if he wants one so badly, he can have the pieces of hers. She’d gladly take his armour in return.

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96: ‘I Bruise Easily’ by Natasha Bedingfield

Fergie has had a messy life. She is therefore deeply insecure. She has, however, hidden that from everyone. Some months ago that cost her a relationship. A woman named Evanescence was going to leave her husband for her, but then she saw one of the surfaces, Fergie put on and realised that the Fergie she knew, was a surface as well.

But this is months ago now. The husband is dead. And Fergie has had a lot of time to think. She goes to Evanescence without surfaces, without defences. She stands naked in front of her, all of her insecurities and bruises visible.

She tells her that she is insecure and is easily hurt. Even when she has her defences up, she feels the blows. So Evanescence will have to be gentle with her when she now gives herself over to her defenceless.

It is scary. This could hurt or heal her. Evanescence could love her or leave her. But if she never tries, she’ll never know how it would have turned out.

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93: ‘Dangerous Woman’ by Ariana Grande

Will and Taylor have been dating for a while now. They share more and more of their lives with each other.

So now Will is introducing her to his party life. Going out is not new to her. after all, it was how they met, but with Will, it tends to get out of hand. But she wants to experience it, so she starts going with him when he goes out to drink, with a completely open, ready to experience it.

It is seductive, and she enjoys it a lot. It makes her feel like a dangerous bad girl and gives their love life new flavour. However, she doesn’t approach it like Will and Fergie do, letting go of all control. She is testing her limits but is always focused and aware of where they are.

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92: ‘She’s Out Of Her Mind’ by blink 182

Will and Taylor have always had an on again/off again relationship. After they skip their latest breakup, they just stop breaking up.  And being together for a longer stretch of time means that surfaces start falling away.

Taylor stops being Will’s perfect dream girl and starts being genuine: An antisocial girl, who likes Bauhaus and is a little crazy sometimes. Not the batshit-crazy jealous woman, she turns into just before their breakups, she just loses her head sometimes. And she’s self-aware enough to apologise for it. And Will finds that he actually really likes the real Taylor.

Taylor sees a deeper layer of Will too. Perhaps a bit deeper than Will himself sees. She sees him working hard on his studies, but he doesn’t seem passionate about it. And she’s worried about him. So one night she tries to tell him that, but it turns into a fight, during which she calls him a know-it-all and he argues that by being a doctor he would help people, so so what if he doesn’t love every moment of his studies? In the end, she admits to having lost her head a bit and apologises.

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